![]() Language is portrayed as an absence and presence that conceals and reveals being. The notion of the “limit-experience” hinges upon the idea that language is a counter-world to the real. His récit will be examined here accordingly in terms of the way it enacts a questioning of the “limit-experience”. Further, I suggest that Blanchot provides a unique account of what it is to put being into question but that he does so in literature. I argue that Thomas’ “limit-experience” depicts a missed experience that includes both self and the other relations. ![]() Blanchot emphasizes the limits to thought and knowledge that is outside of the lived experience. ![]() These symptoms are important for understanding the “limit-experience” because they show the corrosive force of language on identity. I examine Blanchot’s notion of the limit-experience through Thomas’ symptoms of psychosis and melancholia. This thesis explores Maurice Blanchot’s notion of the “limit-experience” through a close reading of Thomas the Obscure.
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